Giuseppe Renzetti (born April 14, 1986, in Chieti, Italy) is an Italian Project Manager, classical pianist, and music composer, with a multidisciplinary background spanning IT project management, data analysis, economics, and contemporary classical music.
He holds a Degree in Classical Music Composition from the Conservatorio “Santa Cecilia” in Rome, where he graduated in October 2016 under the guidance of Maestro Ferdinando Nazzaro. He further refined his compositional skills through advanced specialization courses at leading Italian institutions, including the Fiesole School of Music with Maestro Fabio Vacchi (2017) and the Accademia Musicale Chigiana in Siena with Maestro Salvatore Sciarrino (2020). During his studies at the Chigiana Academy, his composition “Lockdown” for flute and string quartet was selected and performed at the final concert.
Alongside his artistic career, Giuseppe developed a solid academic and professional foundation in economics, data analysis, and project management. He earned a Bachelor’s Degree in Economics and Business from the G. D’Annunzio University of Pescara (2020) and a Master’s Degree in Economics from G. Marconi University in Rome (2022). He also completed an Advanced Course in Data Analysis and obtained, with honors, a Master’s Degree in Project Management at Niccolò Cusano University in Rome (2023).
Professionally, Giuseppe works as a Project Manager in complex and regulated environments, managing digital transformation projects, software development, AI-based solutions, and IT services across public and private sectors, including finance, healthcare, utilities, ESG, and international contexts. His experience includes coordinating multidisciplinary teams, stakeholder management, functional analysis, service governance, and the application of Agile methodologies (Scrum and Kanban), with a strong focus on planning, cost control, compliance, and performance monitoring through data-driven approaches.
Giuseppe combines analytical rigor and organizational skills with a deep artistic sensitivity, bringing together structured project governance and creative vision. This dual background allows him to operate effectively at the intersection of technology, management, and music, transforming complexity into coherent systems—whether in digital projects or musical composition.